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The Connor Brothers are the pseudonym of artists and former London art gallery owners, Mike Snelle and James Golding. The name was initially created to represent a fictional American artist duo, Franklin and Brendan Connor. [1] [2] [3]
Mayer International Auction Records aka Guide Mayer is listing international art auctions results as a dictionary for both fine art amateurs and collectors as well as art market professionals like galleries and auctioneers. 800 auction houses from 40 countries contributed information to the publication. 1.5 million records have been collected on more than 100,000 artists of over 100 different ...
Lise Mayer (born 29 November 1959) [1] is an American television and film writer. She was creator and co-writer, alongside Rik Mayall and Ben Elton , of the BBC comedy series The Young Ones . Background and work
Bidders can place bids early on the auctioneer’s website.Prices for several items have already drawn bids. Babe Ruth’s 1933 Goudey No. 144 card had a high bid of $5,500, while Ty Cobb’s 1909 ...
The Bourne Identity has been adapted into live action twice. The first adaptation is a 1988 television film starring Richard Chamberlain and Jaclyn Smith . The second is a 2002 feature film series starring Matt Damon , which proved to be a strong critical and commercial success, launching the Bourne film series , which consists of five films ...
Gilroy was born in Manhattan, New York City, the son of Ruth Dorothy (née Gaydos), a sculptor and writer, and Frank D. Gilroy, an award-winning playwright, director, and movie producer, who received the Tony Award for Best Play and the Pulitzer Prize for Drama for his play The Subject Was Roses in 1965.
In May 2015, Picasso’s “Les femmes d’Alger (Version “O”) sold at Christie’s in New York for $179.4 million — at that time, the highest price ever paid for a work of art at auction.
Mayer had been making low budget melodramas for a number of years, marketing them primarily to women. Since he rented most of his equipment and hired most of his stars on a per-picture basis, Loew wasn't after Mayer's brick and mortar business; he wanted Mayer and his Chief of Production, the former Universal Pictures executive, Irving Thalberg .
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