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Glossary of music terminology. A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Passion and desire go hand in hand, especially as a motivation. Linstead & Brewis refer to Merriam-Webster to say that passion is an "intense, driving, or overmastering feeling or conviction". This suggests that passion is a very intense emotion, but can be positive or negative. Negatively, it may be unpleasant at times.
Notable examples of such music, like Gesualdo's Tenebrae Responsoria, are sometimes characterized as "a Passion in all but name". [2] A later development of the Catholic passion was the reflective passion-oratorio such as Metastasio's Italian libretto La passione di Gesù Cristo set by Caldara, Salieri and many other composers between 1730 and ...
The word "love" can have a variety of related but distinct meanings in different contexts. Many other languages use multiple words to express some of the different concepts that in English are denoted as "love"; one example is the plurality of Greek concepts for "love" (agape, eros, philia, storge). [8]
List of concepts. Though there are more Greek words for love, variants and possibly subcategories, a general summary considering these Ancient Greek concepts is: Agápe ( ἀγάπη, agápē[ 1]) means "love: esp. unconditional love, charity; the love of God for person and of person for God". [ 2] Agape is used in ancient texts to denote ...
In his final philosophical treatise, The Passions of the Soul ( French: Les Passions de l'âme ), completed in 1649 and dedicated to Princess Elisabeth of Bohemia, René Descartes contributes to a long tradition of philosophical inquiry into the nature of "the passions". The passions were experiences – now commonly called emotions in the ...
t. e. Emotion classification, the means by which one may distinguish or contrast one emotion from another, is a contested issue in emotion research and in affective science. Researchers have approached the classification of emotions from one of two fundamental viewpoints: [citation needed] that emotions are discrete and fundamentally different ...
The St Matthew Passion ( German: Matthäus-Passion ), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias.