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Genital tattooing may have been decorative surgeries practiced during Paleolithic times and archaeological evidence has survived to this day. Evidence regarding explicit genital male representations were found in art made in Europe approximately 38,000 to 11,000 years ago. However, the primitive meaning of genital ornamentation is not clearly ...
An Inuit woman in 1945 with traditional face tattoos. Kakiniit ( Inuktitut: ᑲᑭᓐᓃᑦ [kɐ.ki.niːt]; sing. kakiniq, ᑲᑭᓐᓂᖅ) are the traditional tattoos of the Inuit of the North American Arctic. The practice is done almost exclusively among women, with women exclusively tattooing other women with the tattoos for various purposes.
Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [ 1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males. The malu takes its name from a particular motif of ...
Mehndi is a popular form of body art in South Asia and resembles similar traditions of henna as body art found in North Africa, East Africa and the Middle East. There are many different names for mehndi across the languages of South Asia. There are many variations and designs. Women usually apply mehndi designs to their hands and feet, though ...
Since 1990 there has been a resurgence in the practice of tā moko for both men and women, as a sign of cultural identity and a reflection of the general revival of the language and culture. Most tā moko applied today is done using a tattoo machine , but there has also been a revival of the use of uhi (chisels). [ 7 ]
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Whang-od with a tattooed visitor. Whang-od started tattooing at the age of 15, [ 21] a traditional artform that she learned from her father who was considered a master tattooist in the region. [ 22] Traditionally, only men with special tattooing ancestry were allowed to learn the art. Whang-od was an exception due to her talent and potential ...
The tattoos could represent pride in being a woman, beauty, and protection. [4] They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island. Among some peoples it was believed that women who lacked hajichi would risk suffering in the afterlife. [5]