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There are almost 80 minutes of music in ET, excluding alternates and album arrangements. The full hand-written score has in excess of 500 pages. The music was first written by Williams in 8-12-line sketch format; these were then expanded to full score by orchestrator Herbert W. Spencer from December 1981 to January 1982.
The first flying sequence where Elliott and E.T. fly on their bicycle through the forest now had the cape of Elliott's Halloween costume flap in the wind as it appeared to have originally been intended to be, a change done to have the sequence, particularly the iconic shot of them flying past the Moon, match the film's poster and the logo of ...
Thomas was 9 years old when he first auditioned for the role that would define his career, and famously moved Spielberg to tears. "Honestly, I think I had the part before I went into the audition ...
It is also referenced in Jerry Goldsmith's score to the 1984 film Supergirl during a scene in which the title character sees a poster of Superman. [1] In the 2017 film Justice League, Danny Elfman reused Williams's Superman theme, as well as his themes from Tim Burton's Batman and Batman Returns for the new incarnation of the character.
He talks to Katie Rosseinsky about the demons that still haunt Williams, the singer’s heartbreaking struggles with addiction and mental health, and why he wanted to film the star in his pants
In the poem as it survives, there are two exchanges. Dunbar opens with a three-stanza address to his commissar which pours lofty scorn on the poetic pretensions of Kennedy and his commissar, describing what must happen if their self-promotion should move him to reluctantly unleash his own far superior powers; which boast Kennedy answers, also in three stanzas, with a direct, highly ...
Williams referred to the prosody of triadic-line poetry as a "variable foot", a metrical device to resolve the conflict between form and freedom in verse. [4] Each of the three staggered lines of the stanza should be thought of as one foot, the whole stanza becoming a trimeter line. [5]
For example, “Time Travel” is a macro genre. It can be paired with a variety of super genres to create a time travel fantasy story, or a time travel romance. Multiple macro genres can be used for a single story. The fifty macro genres identified by Williams are (although he contends that there are probably more): [12]