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Bedtime for Bonzo is a 1951 American comedy film directed by Fred de Cordova and starring Ronald Reagan, Diana Lynn, and a chimpanzee named Peggy as Bonzo. [4] Its central character, a psychology professor (Reagan), tries to teach human morals to a chimpanzee , hoping to solve the " nature versus nurture " question.
Bonzo may mean: . Nickname of John Bonham, the drummer for Led Zeppelin; Bonzo the dog, a fictional character that was created by British commercial artist George E. Studdy; A chimpanzee - the title character in the 1951 comedy film Bedtime for Bonzo, also starring Ronald Reagan
The lead single from Bad Bunny's third album, this song was the first song ever to debut in the top ten on the Billboard Hot 100 and number one on the Hot Latin Songs chart.
Who Killed Who? is a 1943 Metro-Goldwyn-Mayer film noir [1] animated short directed by Tex Avery. [2] The cartoon is a parody of whodunit stories and employs many clichés of the genre for humor; for example, the score is performed not by the MGM orchestra but by a solo organ, imitating the style of many radio dramas of the era.
Gnome announced their "US Blasphemy Tour" in August 2023, with dates running from September to October. [9] They began by playing at the 2023 Louder than Life Festival in Louisville and hit smaller venues heading west until they wrapped up their tour at Aftershock Festival in Sacramento on October 8th.
The original song (as sung by Bonnie Beecher) was featured on the soundtrack of Vincent Gallo's 2003 film The Brown Bunny, included on the compilation Late Night Tales: Air, used in the 2024 Netflix miniseries Baby Reindeer, and used as background music in Belgian director Koen Mortier's 2006 television commercial for Dutch insurance company ...
Seven years after Hurricane Maria decimated Puerto Rico, fans are praising Bad Bunny’s new song "La Velita," an indictment of the state of things on the island before and after the powerful storm.
Innes's inspiration for the song was the title of a story in an old American pulp fiction crime magazine he came across at a street market. [1] Stanshall's primary contribution was to shape "Death Cab for Cutie" as a parody of Elvis Presley (notably Presley's 1957 hit "(Let Me Be Your) Teddy Bear"), and he sang it as such, with undertones of 1950s doo-wop.