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The Golden Cockerel (Russian: Золотой петушок, romanized: Zolotoy petushok listen ⓘ) is an opera in three acts, with a short prologue and an even shorter epilogue, composed by Nikolai Rimsky-Korsakov, his last complete opera, before his death in 1908.
Nikolai Andreyevich Rimsky-Korsakov [a] [b] (18 March 1844 – 21 June 1908) [c] was a Russian composer, a member of the group of composers known as The Five. [d] He was a master of orchestration.
Collection of Sacred Musical Arrangements by N.A. Rimsky-Korsakov Used at the Imperial Court, Op. 22b, 1884; contains 6 hymns based on chant melodies; Collection of Sacred Musical Compositions and Arrangements by N.A. Rimsky-Korsakov for Mixed Chorus, 1883–1884; contains 23 pieces, published posthumously in 1913
Bilibin would later provide designs for the premieres of Rimsky-Korsakov's version of Boris Godunov (1908), and The Golden Cockerel (1909). The "Flight of the mosquito" episode was not included in the opera by Rimsky-Korsakov (nor that of the fly) for the sake of brevity, but Bilibin's illustration otherwise corresponds to the "Flight of the ...
Rimsky-Korsakov and Belsky first became interested in writing an opera on the Kitezh legend during the winter of 1898-1899, while they were working on the libretto to The Tale of Tsar Saltan. The idea of combining the legend of Saint Fevroniya of Murom into the story was part of the project from the beginning. [ 2 ]
Rimsky-Korsakov's music was orchestrated by Miklós Rózsa and (uncredited) Eugene Zador. Themes by Rimsky-Korsakov that are used include: "Song of India" from Sadko (sung by Charles Kullman); Flight of the Bumblebee from The Tale of Tsar Saltan; "Hymn to the Sun" from The Golden Cockerel; Capriccio Espagnol, and Scheherazade. [14]
Pages in category "Operas by Nikolai Rimsky-Korsakov" The following 16 pages are in this category, out of 16 total. ... The Golden Cockerel; K. Kashchey the Deathless; L.
The film depicts the final two decades of the life of Russian composer Nikolai Rimsky-Korsakov. Exploring his creative and pedagogical philosophy, the narrative highlights key moments such as his lectures at the school of composers he founded, intense debates about the "anti-popular" nature of Ramensky's music (a character based on Igor Stravinsky), struggles against the tyranny of Imperial ...
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