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36 x 24 mm with full frame license, 24.3 x 12.8 mm by default 1 E-mount, PL mount (add-on) SxS card, AXS-R7 recorder (add-on, optional, records onto AxS cards) 10-bit XAVC, 422 Apple ProRes (SxS card), 16-bit RAW (AXS-R7 recorder) 6048 x 4032 (with full frame license) 4096 x 2160 (default) 500 and 2500 dual native 15 stops (-9, +6) Rolling
Professional 4K 60p camcorders equipped with 1.0-Type (1.0-inch) sensor and offering 24.5mm wide-angle (35mm equivalent) and optical 20x zoom. They also support 4:2:2 10-bit 4K 30p/25p internal video recording and the new, high-efficiency HEVC codec. They have been equipped with a wide variety of recording formats for the best selection.
Nowadays, HDTV cameras designed for broadcast television, news, sports, events and other works such as reality TV are termed as professional video cameras. A digital movie camera is designed for movies or scripted television to record files that are then color corrected during post-production. The video signal from a professional video camera ...
Combo-cameras combine full-feature still cameras and camcorders in a single unit. The Sanyo Xacti HD1 was the first such unit, combining the features of a 5.1 megapixel still camera with a 720p video recorder with improved handling and utility. Canon and Sony have introduced camcorders with still-photo performance approaching that of a digicam ...
Both cameras share the same basic design and body, though the XH G1 is geared towards professional multi-camera production and includes connections for HD-SDI/SD-SDI Out, genlock, and time code. The cameras were originally released in 2006, the updated versions XH-A1s and XH G1s came out in December 2008.
Does not support internal 4K recording, must use an external recorder via HDMI, but see Sony α7S II. Only 1080p is recorded internally. Sony α7S II - Full Frame with internal 4K recording; Sony α7S III; Sony α9 - XAVC S 4K: 3840 x 2160 (30p/25p/24p), 4:2:0 8bit [16] Sony α9 II; Sony α9 III - First full frame mirrorless camera with a ...
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