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The bow is drawn across the strings roughly halfway between the end of the fingerboard and the bridge, in a direction perpendicular to the strings and parallel to the bridge. The bow is held with all five fingers of the right hand, the thumb opposite the fingers and closer to the cellist's body.
A string may be flattened by pulling it above the fingerboard or sharpened by pressing the part of the string in the pegbox. These techniques may be useful in performance, reducing the ill effects of an out-of-tune string until the arrival of a rest or other opportunity to tune properly.
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
The single copy of each string is called its intern and is typically looked up by a method of the string class, for example String.intern() [2] in Java. All compile-time constant strings in Java are automatically interned using this method. [3] String interning is supported by some modern object-oriented programming languages, including Java ...
A further variation is a particularly strong pizzicato where the string is plucked vertically by snapping and rebounds off the fingerboard of the instrument. This is known as snap pizzicato or Bartók pizzicato, after one of the first composers to use it extensively (e.g. in the 4th movement of his Fourth String Quartet, 1928).
The Chapman Stick (developed in the early 1970s by Emmett Chapman) is an instrument designed primarily for tapping, and is based on the Free Hands two-handed tapping method invented by Chapman in 1969 where each hand approaches the fretboard with the fingers aligned parallel to the frets.
A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings.The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it.
The resulting lower string tension also enabled Karas to perform an expressive vibrato on the fingerboard melody strings. Film director Carol Reed, (on whose oak kitchen table the music was performed), described the sound as "gritty and dirty", perfectly reflecting the atmospheric mood of the film. An Alpine Zither.