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Blacklight is a 2022 American-Australian action thriller film directed and co-written by Mark Williams. The film stars Liam Neeson as a brooding FBI fixer who becomes involved in a government conspiracy; Emmy Raver-Lampman , Taylor John Smith , and Aidan Quinn also star.
'Blacklight,' a by-the-numbers thriller about an off-the-books FBI extraction expert, stymies Liam Neeson. Review: Liam Neeson and his skills hit copy-paste in formulaic 'Blacklight' Skip to main ...
The initial idea came from two sources. The first one was the climactic reveal from Oldboy, where two characters were revealed to have a secret connection.The second was an old comic book storyline in which Superman was helpless to save people because they would die if they came into contact with him. [2]
Marlowe is a 2022 neo-noir crime thriller film directed by Neil Jordan, who co-wrote the screenplay with William Monahan.Based on the 2014 novel The Black-Eyed Blonde by John Banville, writing under the pen name Benjamin Black, the film stars Liam Neeson as private detective Philip Marlowe, a fictional character created by Raymond Chandler, and features Diane Kruger, Jessica Lange, Adewale ...
Scott Derrickson and co-screenwriter Robert Cargill drew on true experiences from the '70s in adapting Joe Hill's 10-page short story into "The Black Phone."
Plot summary [ edit ] There are two interconnected plots that unfold simultaneously in this novel; one is set in the present, and deals with Bob Lee Swagger and Russ Pewtie, while the other is set in 1955, and deals with Bob Lee's father, Earl, and the events leading up to his death.
CODA is a 2021 coming-of-age comedy-drama film written and directed by Sian Heder.An English-language remake of the 2014 French-Belgian film La Famille Bélier, it stars Emilia Jones as Ruby Rossi, the child of deaf adults (CODA) and only hearing member of her family, who attempts to help her family's struggling fishing business while pursuing her aspirations to become a singer.
Tom Long of The Detroit News wrote, "Young Adult may be the year's most engaging feel-bad movie". [12] A. O. Scott of The New York Times praised the film, writing, "Shorter than a bad blind date and as sour as a vinegar Popsicle, Young Adult shrouds its brilliant, brave and breathtakingly cynical heart in the superficial blandness of commercial ...