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Critic Drew Casper summarized the impact of Mary Poppins in 2011: Disney was the leader, his musical fantasies mixing animation and truly marvelous f/x with real-life action for children and the child in the adult. Mary Poppins (1964) was his plum. ... the story was elemental, even trite. But utmost sophistication (the chimney pot sequence ...
Mary Poppins is a fictional character and the eponymous protagonist of P. L. Travers' books of the same name along with all of their adaptations. A magical English nanny, she blows in on the east wind and arrives at the Banks home at Number 17 Cherry Tree Lane, London, where she is given charge of the Banks children and teaches them valuable lessons with a magical touch. [1]
Mary Poppins was made into a film based on the first four books in the series by Walt Disney Productions in 1964. According to the 40th anniversary DVD release of the film in 2004, Walt Disney first attempted to purchase the film rights to Mary Poppins from P. L. Travers as early as 1938, but was rebuffed because Travers did not believe a film version of her books would do justice to her ...
The musical is based on the similarly titled Mary Poppins children's books by P. L. Travers and the 1964 Disney film, and is a fusion of various elements from the two, including songs from the film.
Mary Poppins: Original Cast Soundtrack is the soundtrack album of the 1964 film Mary Poppins, with music and lyrics written by songwriters Richard M. Sherman and Robert B. Sherman, and adapted and conducted by Irwin Kostal. [1] The original 1964 album release features seventeen tracks, consisting of sixteen songs and one overture track of film ...
The word was popularized in the 1964 film Mary Poppins, [4] in which it is used as the title of a song and defined as "something to say when you don't know what to say". The Sherman Brothers , who wrote the Mary Poppins song, have given several conflicting explanations for the word's origin, in one instance claiming to have coined it themselves ...
Dotrice (left) with Matthew Garber in ‘’Mary Poppins’’ (1964) Film historian Leonard Maltin said Dotrice "won over everyone" with her performance in The Three Lives of Thomasina, [3] and she was signed to play Jane Banks (along with once and future co-star Matthew Garber as her brother, Michael Banks) in Mary Poppins (1964).
After this, she auditioned for the role of Eliza Doolittle in the 1964 film adaptation of My Fair Lady, losing the role to Audrey Hepburn. [5] Instead, Andrews was cast as the title role in the 1964 musical film Mary Poppins. [6] For this role, she received an Academy Award, a BAFTA Award, a Golden Globe, and a Grammy Award. [7]
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