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Boozoo Chavis, Roy Carrier, Zydeco Force, Nathan and the Zydeco Cha Chas, the Sam Brothers, Terrance Simien, Chubby Carrier, and many others were breathing new life into the music. Zydeco superstar Buckwheat Zydeco, already well into his career, signed his deal with Island Records in the mid-1980s.
Zachary Richard mentions Chenier in his song "Clif's Zydeco" (on Richard's 2012 album Le Fou). The Squeezebox Stompers' "Zydeco Train" says, "Clifton Chenier, he's the engineer." The jam band Phish often covers Chenier's song "My Soul" in live performances. [17] Chenier is the subject of Les Blank's 1973 documentary film Hot Pepper.
Zydeco (/ ˈ z aɪ d ɪ ˌ k oʊ / ZY-dih-koh or / ˈ z aɪ d i ˌ k oʊ / ZY-dee-koh, French: Zarico) as a dance style has its roots in a form of folk dance that corresponds to the heavily syncopated zydeco music, originated in the beginning of the 20th century among the Francophone Creole peoples of Acadiana (south-west Louisiana).
Chavis made his first recording in 1955, "Paper in My Shoe", based on a song he heard performed by Creole accordionist Ambrose "Potato" Sam. [5] Chavis's version was an uptempo tune with a dance beat about being too poor to afford new shoes or socks, so he placed a paper in his shoes to keep his feet warm when the holes in the sole got too large. [12]
Probably the single most famous style of music to originate in the city was New Orleans jazz, also known as Dixieland. It came into being around 1900. It came into being around 1900. Many with memories of the time say that the most important figure in the formation of the music was Papa Jack Laine who enlisted hundreds of musicians from all of ...
C. J. Chenier (born Clayton Joseph Thompson, September 28, 1957 in Port Arthur, Texas) is the Creole son of the Grammy Award-winning "King of Zydeco", Louisiana musician, Clifton Chenier. [1] In 1987, Chenier followed in his father's footsteps and led his father's band as an accordion performer and singer of zydeco, a blend of cajun and creole ...
The term Creole music (French: musique créole) is used to refer to two distinct musical traditions: art songs adapted from 19th-century vernacular music; or the vernacular traditions of Louisiana Creole people which have persisted as 20th- and 21st-century la la and zydeco in addition to influencing Cajun music.
Arceneaux was born to a large Creole family based in Carencro, Louisiana.Arceneaux first picked up his brother-in-law's accordion as a child and learned to play by copying his father, Ferdinand Arceneaux, a musician whom he backed at local house parties.