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Starting in 1999, Jody Espina collaborated with Runyon and his production staff to develop the mouthpiece designs and prototypes that would launch the Jody Jazz line of high-end mouthpieces. [5] After Santy's death in 2003, the Runyon Products Company continued to operate as a family-owned business until it shut down in the late 2010s (around ...
The use of the saxophone in dance orchestras and jazz ensembles from the 1920s onward placed emphasis on dynamic range and projection, leading to innovation in mouthpiece designs. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high ...
Selmer Mark VI Alto Saxophone with a "Eric Marienthal Special" mouthpiece with a size 7 (.085 inch) tip opening [12] [13] and ishimori woodstone ligature; Yamaha Custom Z Alto Saxophone with a Beechler Metal No. 7 mouthpiece and 'Olegature' ligature [4] Selmer Mark VI Tenor Saxophone with a Berg Larsen Metal 100/2 mouthpiece and Brancher ligature
Albright plays a professional Big Bell Stone Signature Series model of saxophone made by Cannonball Musical Instruments.Of the two necks that are furnished with the Cannonball saxophones, he usually uses the "Fat Neck" with the octave vent tube on the bottom of the neck, a design similar to some vintage Conn 6M models.On mouthpieces, he uses a Beechler Diamond on alto with Silverstein Hexa ...
Koz plays a Yamaha silver alto sax (YAS-62S Mk. I) with a No. 7 Beechler metal mouthpiece, a Yamaha straight silver Soprano sax (YSS-62S) or a vintage Conn curved soprano sax with a No. 8 Couf mouthpiece, and a Selmer Mark VI Tenor sax with a Berg-Larsen 90/2 hard rubber mouthpiece. As for reeds, he uses a No. 3 Rico Plasticover. [22]
Bostic used a Beechler mouthpiece with a tenor saxophone reed on his Martin Committee model alto sax. Bostic was a master of the blues and he used this skill in a variety of musical settings. Although he recorded many commercial albums, some notable jazz-based exceptions on the King label include Bostic Rocks Hits of the Swing Age , Jazz As I ...
Saxophone embouchure is the position of the facial muscles and shaping of the lips to the mouthpiece when playing a saxophone. Playing technique for the saxophone can derive from an intended style (classical, jazz, rock, funk, etc.) and the player's idealized sound.
The mouthpiece of the tenor saxophone is proportionally larger than that of the alto, necessitating a similarly larger reed. The increased stiffness of the reed and the greater airflow required to establish resonance in the larger body means the tenor sax requires greater lung power but a looser embouchure than the higher-pitched members of the ...
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