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In 2000 the portrait was sold at Christie's in London as a portrait of the wife of the theologian Johannes Sylvius for nearly 20 million pounds. [5] Aeltje Pietersdr Uylenburgh lived in the minister's residence of the Oude Kerk and was the daughter of Saskia van Uylenburgh's uncle Pieter, making them first cousins, though Aeltje was a generation older and probably served as a guide for the 21 ...
Portrait of an Old Woman, c 1480, 26.5 x 17.8cm (14.6 × 10.6in). Museum of Fine Arts, Houston. Portrait of an Old Woman is a small oil on wood panel painting by the Early Netherlandish painter Hans Memling, completed c 1475–80, and in the collection of the Museum of Fine Arts, Houston, Texas, since 1944. The panel has obviously been cut down ...
Idealised Portrait of a Young Woman as Flora; In a Park; In a Warm Land; In the Conservatory (Bartholomé) In the Dining Room; The Infanta Maria Theresa of Spain; Portrait of Infanta Isabella Clara Eugenia (Rubens) Innocence (Corinth) The Interior of an Atelier of a Woman Painter (Lemoine) Ippy and Gertie Posing at Fashion House Hirsch, Amsterdam
Pendant Portraits of an Old Man and an Old Woman refers to two 1654 oil on canvas pendant portraits by Rembrandt, Portrait of an Old Man and Portrait of an Old Woman, usually identified as a single pair.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Wikidata:WikiProject sum of all paintings/Pendant portraits; Wikidata:WikiProject sum of all paintings/Collection/Pushkin Museum of Fine Arts; Wikidata:WikiProject Women/Portraits of Women 1650-1659; Wikidata:WikiProject sum of all paintings/Catalog/Ermitage Imperial - Catalogue de la Galerie des tableaux, VII, Ecole Neerlandaises et Ecole Allemand
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Several oval portraits of women of 17th-century Amsterdam have survived. Some are pendants and others are individual portraits. This painting has been attributed to Rembrandt since the 19th-century, but the name of the sitter is unknown. This painting came into the collection via the Benjamin Altman bequest.