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Toggle Aesop's Fables subsection. 1.1 Titles A–F. 1.2 Titles G–O. 1.3 Titles R–Z. 2 References. ... Download as PDF; Printable version; In other projects ...
The Honest Woodcutter, also known as Mercury and the Woodman and The Golden Axe, is one of Aesop's Fables, numbered 173 in the Perry Index. It serves as a cautionary tale on the need for cultivating honesty, even at the price of self-interest. It is also classified as Aarne-Thompson 729: The Axe falls into the Stream. [2]
The following other wikis use this file: Usage on en.wikisource.org Index:Æsop's fables- (IA aesopfables00aesoiala).pdf; Page:Æsop's fables- (IA aesopfables00aesoiala).pdf/1
The Bird in Borrowed Feathers is a fable of Classical Greek origin usually ascribed to Aesop. It has existed in numerous different versions between that time and the Middle Ages, going by various titles and generally involving members of the corvid family. The lesson to be learned from it has also varied, depending on the context in which it ...
The illustration of the fable by François Chauveau in the first volume of La Fontaine's fables, 1668 . The Fox and the Grapes is one of Aesop's Fables, [1] numbered 15 in the Perry Index. [2] The narration is concise and subsequent retellings have often been equally so. The story concerns a fox that tries to eat grapes from a vine but cannot ...
The moral drawn from the fable by Babrius was that "Brotherly love is the greatest good in life and often lifts the humble higher". In his emblem book Hecatomgraphie (1540), Gilles Corrozet reflected on it that if there can be friendship among strangers, it is even more of a necessity among family members. [4]
Three of Aesop's fables on the 11th-century Bayeux Tapestry, with The Wolf and the Lamb at bottom. In his 1692 retelling of the fable, Roger L'Estrange used the English proverb "'Tis an easy Matter to find a Staff to beat a Dog" to sum up the sentiment that any arbitrary excuse will suit the powerful. [5]
Aesop's original fable was made the subject of a painting by Frans Snyders which in the 18th century entered the collection of the dukes of Newcastle. Robert Earlom (1743-1822) made a mezzotint engraving of this in 1772, of which there are both hand-coloured [ 6 ] and plain versions. [ 7 ]
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