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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
The first suzuri-bako were developed in 9th-century Japan. [2] At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's ...
Japanese painting (絵画, kaiga; also gadō 画道) is one of the oldest and most highly refined of the Japanese visual arts, encompassing a wide variety of genres and styles. As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competition between native Japanese aesthetics and the ...
Pages in category "Japanese calligraphy" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. ...
Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in ...
Decorative kakemono and ikebana in an onsen hotel. A kakemono (掛物, "hanging thing"), more commonly referred to as a kakejiku (掛軸, "hung scroll"), is a Japanese hanging scroll used to display and exhibit paintings and calligraphy inscriptions and designs mounted usually with silk fabric edges on a flexible backing, so that it can be rolled for storage.
There are truly limitless options: different layout styles (daily, weekly, monthly, horizontal, vertical), kinds of paper, binding styles (spiral, stapled, leather), covers (patterns, neutrals ...
Within Japan, the group focused on innovating the practice of calligraphy and expanding the field by collaborating with modern artists. For example, Bokujinkai hosted and participated in many roundtable discussions with modern artists and calligraphers to discuss the status of painting and calligraphy, both in Japan and in the West. [9]
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