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Other styles include dorukha in which the motif appears on both sides of the shawl with each side having a different color; papier-mâché; aari (hook) embroidery; shaaldaar; chinar-kaam; samovar (the antique Kashimiri tea-pot) is a very typical and popular design used in Kashmiri embroidery.
Saris are distinguished by their wide contrast borders. Temple borders, checks, stripes and floral (buttas) are traditional designs found on a Kanchipuram saris. [8] The patterns and designs in the kanchipuram saris were inspired with images and scriptures in South Indian temples or natural features like leaves, birds and animals. [10]
Paithani Bridal Sari Paithani Bridal Sari An aeroplane with a Paithani design created by Meera Mehta an Indian textile designer, on its vertical stabilizer-rudder. Paithani is a variety of sari , named after the Paithan town in Aurangabad from state of Maharashtra in India where the sari was first made by hand.
Illustration of woman dressed in kaashta nauvari sari, 1928. The Kaashtha sari (Marathi: नऊवारी साड़ी) is a Koli [1] [2] style of sari draping very similar to the way the Maharashtrian dhoti is worn.
A sari (sometimes also saree [1] or sadi) [note 1] is a women's garment from the Indian subcontinent. [2] It consists of an un-stitched stretch of woven fabric arranged over the body as a robe , with one end attached to the waist, while the other end rests over one shoulder as a stole , [ 3 ] sometimes baring a part of the midriff .
A variety of weaving techniques were employed in ancient India, many of which survive to the present day. Silk and cotton were woven into various designs and motifs, each region developing its distinct style and technique. Famous among these weaving styles were the Jamdani, Kasika vastra of Varanasi, butidar, and the Ilkal saree.
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