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Works titled cassation were especially common in southern Germany, Austria and Bohemia in the mid- to late part of the eighteenth century. [2] Some early works by Joseph Haydn and Wolfgang Amadeus Mozart bear the title cassation; other composers of the classical and pre-classical era who produced cassations include Franz Joseph Aumann, Carl Ditters von Dittersdorf, Michael Haydn, Leopold ...
Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context.
14th-century Islamic ornament in ivory, centred on a palmette; Alois Riegl's Stilfragen (1893) traced the evolution and transmission of such motifs.. Classical art criticism and the relatively few medieval writings on aesthetics did not greatly develop a concept of style in art, or analysis of it, [12] and though Renaissance and Baroque writers on art are greatly concerned with what we would ...
The Cassation in G major, K. 63 is a cassation for orchestra by Wolfgang Amadeus Mozart, composed around 1769 for the celebration of finalists from the University of Salzburg (hence the common title "Finalmusik").
Training in the visual arts has generally been through variations of the apprentice and workshop systems. In Europe, the Renaissance movement to increase the prestige of the artist led to the academy system for training artists, and today most of the people who are pursuing a career in the arts train in art schools at tertiary levels.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Elizabeth Mary Aslin (23 March 1923 – 14 April 1989) was an English art historian, administrator, author and lecturer who was a specialist in 19th and 20th century decorative arts. She was a research assistant in the Circulation Department of the Victoria and Albert Museum (V&A) between 1947 and 1964, before becoming a part-time assistant ...
The Four Philosophers (c. 1615.Oil on panel; 167 x 143 cm, Pitti Palace, Florence).In his friendship portrait of himself, his brother Philip Rubens, Justus Lipsius and Jan van den Wouwer (left to right), the painter Rubens's self-portrait on the left is an example of a figural repoussoir that is further accentuated by the flowing red curtain.