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  2. VistaVision - Wikipedia

    en.wikipedia.org/wiki/VistaVision

    Some studios sought to compensate for these effects by shooting color films with a full aperture gate (rather than the academy aperture) and then reducing the image in Technicolor's optical printer. This process is a predecessor of today's Super 35 format, which also uses a 1.85:1 ratio but one-third more frame area than does a standard 1.85:1 ...

  3. William Kennedy Dickson - Wikipedia

    en.wikipedia.org/wiki/William_Kennedy_Dickson

    William Dickson was the first person to make a film of the Pope, and at the time his Biograph camera was blessed by Pope Leo XIII. The Mutoscope machines produced moving images by means of a revolving drum of photographs/frames, similar in concept to flip-books, taken from an actual piece of film. They were often featured at seaside locations ...

  4. Technirama - Wikipedia

    en.wikipedia.org/wiki/Technirama

    Cameras used 35mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 2:1 ...

  5. Techniscope - Wikipedia

    en.wikipedia.org/wiki/Techniscope

    Techniscope employs standard 35 mm camera films, which are suitable for 2-perf (Techniscope), 3-perf, conventional 4-perf (spherical or CinemaScope), and even 6-perf and 8-perf (VistaVision), as all of those processes listed employ the same negative and intermediate films, and positive print films intended for direct projection (although 2-, 3- and 8-perfs are not distribution formats).

  6. List of motion picture film formats - Wikipedia

    en.wikipedia.org/wiki/List_of_motion_picture...

    Negative aspect ratio is the image ratio determined by the ratio of the gate dimensions multiplied by the anamorphic power of the camera lenses (1× in the case of spherical lenses). [1] Gate dimensions are the width and height of the camera gate aperture, and by extension the film negative frame.

  7. 35 mm equivalent focal length - Wikipedia

    en.wikipedia.org/wiki/35_mm_equivalent_focal_length

    35 mm equivalent focal lengths are calculated by multiplying the actual focal length of the lens by the crop factor of the sensor. Typical crop factors are 1.26× – 1.29× for Canon (1.35× for Sigma "H") APS-H format, 1.5× for Nikon APS-C ("DX") format (also used by Sony, Pentax, Fuji, Samsung and others), 1.6× for Canon APS-C format, 2× for Micro Four Thirds format, 2.7× for 1-inch ...

  8. Film format - Wikipedia

    en.wikipedia.org/wiki/Film_format

    A cartridge of Kodak 35 mm (135) film for cameras. A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking. It can also apply to projected film, either slides or movies. The primary characteristic of a film format is its size and shape.

  9. Full-frame DSLR - Wikipedia

    en.wikipedia.org/wiki/Full-frame_DSLR

    On smaller-sensor DSLRs, wide-angle lenses have smaller angles of view equivalent to those of longer-focal-length lenses on 35 mm film cameras. For example, a 24 mm lens on a camera with a crop factor of 1.5 has a 62° diagonal angle of view, the same as that of a 36 mm lens on a 35 mm film camera. On a full-frame digital camera, the 24 mm lens ...