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Museum display of lacquered furniture and furbishing. Lacquerware became a common luxury item from the Warring States to the Han dynasty. Song dynasty lacquer tray with the gold-engraving technique qiangjin applied to it, 12th or 13th century Lacquer painting from the Northern Wei dynasty.
The objects made in the technique are a wide range of small types, but are mostly practical vessels or containers such as boxes, plates and trays. Some screens and pieces of Chinese furniture were made. Carved lacquer is only rarely combined with painting in lacquer and other lacquer techniques. [4]
The earliest extant lacquer object, a red wooden bowl, [2] was unearthed at a Hemudu culture (c. 5000–4500 BCE) site. [3] By the Han dynasty (206 BCE – 220 CE), many centers of lacquer production had become established. [1] The knowledge of the Chinese methods focusing on the lacquer process spread from China during the Han, Tang, and Song ...
Chinese lacquerware table, 1425-1436 V&A Museum no. FE.6:1 to 4-1973. This carved lacquerware table in the Victoria and Albert Museum in London is from the Ming dynasty (1368–1644). It is unique in shape and decoration and is one of the most important objects from the period.
Coromandel lacquer, probably originally from a screen, worked up into a cabinet for medals in France in the 1720s. Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of ...
A Chinese six-pointed tray, red lacquer over wood, from the Song dynasty (960–1279), 12th–13th century, Metropolitan Museum of Art. Urushiol-based lacquers differ from most others, being slow-drying, and set by oxidation and polymerization, rather than by evaporation alone. The active ingredient of the resin is urushiol, a mixture of ...
The two main techniques in Chinese painting are: Gong-bi (工筆), meaning "meticulous", uses highly detailed brushstrokes that delimits details very precisely. It is often highly coloured and usually depicts figural or narrative subjects. It is often practised by artists working for the royal court or in independent workshops.
The forms of Chinese furniture evolved along three distinct lineages which date back to 1000 BC: [1] frame and panel, yoke and rack (based on post-and-rail seen in architecture) and bamboo construction techniques. Chinese home furniture evolved independently of Western furniture into many similar forms, including chairs, tables, stools ...
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