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Chromakopia is the eighth studio album by American rapper Tyler, the Creator. It was released through Columbia Records on October 28, 2024, [ 1 ] serving as the follow-up to Call Me If You Get Lost (2021). [ 2 ]
A music video was released for the song on October 16, 2024, and was the first promotional material for the album. Initially shot with a sepia filter, a masked Tyler (also known with the pseudonym "St.Chroma") with a green suit leads a line of 10 men wearing matching suits, their faces hidden.
Tyler, the Creator, who teased new music on social media yesterday, has announced his new album, “Chromakopia,” will be released on Oct. 28 — a Monday, breaking with the music-industry ...
The New Yorker described the bass drum as the 808's defining feature. [9] The 808 was the first drum machine with which users could program a percussion track from beginning to end, complete with breaks and rolls. [14] Users can program up to 32 patterns using the step sequencer, [6] chain up to 768 measures [15] and place accents on individual ...
Tyler, the Creator is nothing if not unique, and that trend continues with today’s (Oct. 17) announcement that he will release his next album, CHROMAKOPIA, on short notice and off cycle on Oct ...
808 Mafia is an American record production and songwriting group founded by record producers TM88, Lex Luger, and Southside. [1] Its other members include Fuse 100, Tarentino, Purps, Swede, Nonstop Da Hitman, and MP808, among others. The group's name originates from the Roland TR-808, a drum machine commonly used in hip-hop music. [2]
Zaytoven, whose beats heavily influenced the emergence of plugg music. The origins of plugg music are traced to the gospel and soul-influenced production style of Zaytoven, [12] and other southern rap influences, such as OutKast, [12] as well as to a loosely related subgenre of hip-hop called Chicago bop, which is a euphoric, fast-paced subgenre of drill music. [13]
DJ Spanish Fly had introduced the synthetic drum-kit sound with the TR-808, splitting the Memphis scene in two between those who preferred the live versus the digital sound. Alongside a strong drum beat were "cowbell, syncopated rhythms, powerful sub-bass, and sharp digital snares", these elements becoming the hallmarks of the Memphis rap sound.