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Seul, inconnu, le dos courbé, les mains croisées, Triste, et le jour pour moi sera comme la nuit. Je ne regarderai ni l'or du soir qui tombe, Ni les voiles au loin descendant vers Harfleur, Et, quand j'arriverai, je mettrai sur ta tombe Un bouquet de houx vert et de bruyère en fleur.
French phonology is the sound system of French.This article discusses mainly the phonology of all the varieties of Standard French.Notable phonological features include its uvular r, nasal vowels, and three processes affecting word-final sounds:
Delplace was born in Bordeaux.. He studied piano under Pierre Sancan, as well as Harmony (Alain Bernaud), Counterpoint (Jean-Paul Holstein), Fugue (Michel Merlet), and Orchestration (Serge Nigg) at the Conservatoire de Paris, from 1979 to 1984, in addition to studying the Organ with Jean Galard through the Ville de Paris.
Ce qu'on entend sur la montagne, S. 95, is the first of thirteen symphonic poems by Austro-Hungarian composer Franz Liszt. It is an orchestral work inspired by Victor Hugo's poem of the same name, published as No. 5 of his collection Les Feuilles d'automne (1831). The French title means "What one hears on the mountain".
Marc-Antoine Charpentier (French: [maʁk ɑ̃twan ʃaʁpɑ̃tje]; 1643 – 24 February 1704 [2]) was a French Baroque composer during the reign of Louis XIV.One of his most famous works is the main theme from the prelude of his Te Deum H.146, Marche en rondeau.
The first bar of Au bord d'une source. The main theme of Au bord d’une source comprises a pattern of arpeggiated semiquavers in the right hand with short notes in the left, firstly played below the right hand and then played two octaves higher, above the right hand.
Harmonies poétiques et religieuses (Poetic and Religious Harmonies), S.173, is a cycle of piano pieces written by Franz Liszt at Woronińce (Voronivtsi, the Polish-Ukrainian country estate of Liszt's mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853.
The Grandes études de Paganini, S. 141, are a series of six études for the piano by Franz Liszt, revised in 1851 from an earlier version (published as Études d'exécution transcendante d'après Paganini, S. 140, in 1838).