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  2. Cinematic techniques - Wikipedia

    en.wikipedia.org/wiki/Cinematic_techniques

    Movement can be used extensively by film makers to make meaning. It is how a scene is put together to produce an image. A famous example of this, which uses "dance" extensively to communicate meaning and emotion, is the film, West Side Story. Provided in this alphabetised list of film techniques used in motion picture filmmaking. There are a ...

  3. 30-degree rule - Wikipedia

    en.wikipedia.org/wiki/30-degree_rule

    The 30-degree rule is a basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots can look like a jump cut —which could jar the audience and take them out of the story.

  4. 180-degree rule - Wikipedia

    en.wikipedia.org/wiki/180-degree_rule

    In filmmaking, the 180-degree rule [1] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second ...

  5. Category:Cinematic techniques - Wikipedia

    en.wikipedia.org/wiki/Category:Cinematic_techniques

    S. Scenario; Screen direction; Screenlife; Scriptment; Seamlessly loopable; Set piece; Set redress; Shaky camera; Shooting in the round; Shooting script; Shot/reverse ...

  6. Glossary of motion picture terms - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_motion_picture...

    Also one-shot cinema, one-take film, single-take film, continuous-shot film, or oner. A feature-length motion picture filmed in one long, uninterrupted take by a single camera, or edited in such a way as to give the impression that it was. opening credits (for a film) opening shot (for a scene) over cranking over the shoulder shot (OTS)

  7. Formalist film theory - Wikipedia

    en.wikipedia.org/wiki/Formalist_film_theory

    Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]

  8. Shot (filmmaking) - Wikipedia

    en.wikipedia.org/wiki/Shot_(filmmaking)

    In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. [1] Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process:

  9. Film styles - Wikipedia

    en.wikipedia.org/wiki/Film_styles

    Genre is the category a film is placed in regarding the narrative elements. [7] For instance, Western films are about the American frontier, romance films are about love, and so on. Film style categorizes films based on the techniques used in the making of the film, such as cinematography or lighting.