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Dolby Digital Plus bitstreams are not directly backward compatible with legacy Dolby Digital decoders. However, Dolby Digital Plus is a functional superset of Dolby Digital, and decoders include a mandatory component that directly converts (without decoding and re-encoding) the Dolby Digital Plus bitstream to a Dolby Digital bitstream ...
Dolby Digital (AC3, ATSC A/52, ETSI TS 102 366) FFmpeg; liba52 (decoder only) Dolby Digital Plus (E-AC-3, ATSC A/52:2012 Annex E, ETSI TS 102 366 Annex E) FFmpeg; DTS Coherent Acoustics (DTS, Digital Theatre System Coherent Acoustics, ETSI TS 102 114) FFmpeg; libdca (decoder only) Dolby AC-4 (ETSI TS 103 190) Impala Blackbird audio codec; ITU ...
A Dolby Digital Penthouse Soundhead mounted on a mid-1950s vintage Kalee model 20 projector A photo of a 35 mm film print featuring all four audio formats (or quad track) - from left to right: Sony Dynamic Digital Sound (SDDS) (blue area to the left of the sprocket holes), Dolby Digital (grey area between the sprocket holes labelled with the ...
A Dolby noise-reduction system, or Dolby NR, is one of a series of noise reduction systems developed by Dolby Laboratories for use in analog audio tape recording. [1] The first was Dolby A, a professional broadband noise reduction system for recording studios that was first demonstrated in 1965, but the best-known is Dolby B (introduced in 1968), a sliding band system for the consumer market ...
Dolby Laboratories: 1992 ATSC A52:2018 Free DVD players, digital television, Camcorder: FFmpeg, liba52 (decoding only), Aften (encoding only), libavc (2.0 channels max) Theatrical movie presentation, Digital TV service & home-video (personal recorders, DVD, etc.) No No No No ? AC-4: Dolby Laboratories: 2014 ATSC A342:2022-03 Non-free
Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray Disc and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format.
The Dolby Laboratories recommendation for dialnorm has the force of law for US Digital Broadcasting, through the FCC's adoption of ATSC A/53 Annex B, section 5.5 Dialogue Level: "The value of the dialnorm parameter in the AC-3 elementary bit stream shall indicate the level of average spoken dialogue within the encoded audio program."
Although Dolby Surround was introduced as an analog format, all Dolby Digital decoders incorporate a digitally implemented Dolby Surround Pro Logic decoder for digital stereo signals that carry matrix-encoded Dolby Surround. One of the first was the MSP400 surround sound receiver and amplifier by RCA for their high-end Dimensia brand.