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The Cambridge Companions to Music form a book series published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher. [1] The first was published in 1993, the Cambridge Companion to the Violin. Since then numerous volumes have been published nearly every year, covering a variety of ...
For example, a 7/8 violin has a scale of about 317 mm, a 3/4-size instrument a scale of 307 mm, a half-size one 287 mm, and a quarter-size one 267 mm. 1/8, 1/10, 1/16 and 1/32 and even 1/64 violins also exist, becoming progressively smaller, but again in no proportional relationship. (A full-size instrument is described as 4/4.)
The body length (not including the neck) of a 'full-size' or 4/4 violin is 356 mm (14.0 in) (or smaller in some models of the 17th century). A 3/4 violin is 335 mm (13.2 in), and a 1/2 size is 310 mm (12 in). Rarely, one finds a size referred to as 7/8 which is approximately 340 mm (13.5 in), sometimes called a "ladies' fiddle."
A 3 ⁄ 4 violin's body length is 335 mm (13.2 in), and a 1 ⁄ 2 size is 310 mm (12.2 in). With the violin's closest family member, the viola, size is specified as body length in inches or centimeters rather than fractional sizes. A full-size viola averages 40 cm (16 in). However, each individual adult will determine which size of viola to use.
A 1 A 2 •B 1 B 2 •C 2 C 3 •D 2 D 3 •E 2 E 3 •F 2 F 3 •G 2 G 3 •A 2 A 2 •D 3 D 3 •F 3 F 3 •A 3 A 3 •d4•f4. Europe [ * ] The number of strings and courses on a lute can vary widely depending on period and geographical region. Among the more common forms are 6, 7, 8, 10, and 13 courses. (Pictured: 8 course Renaissance Lute ...
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The abbreviations col 8, coll' 8, and c. 8 va stand for coll'ottava, meaning "with the octave", i.e. to play the notes in the passage together with the notes in the notated octaves. Any of these directions can be cancelled with the word loco , but often a dashed line or bracket indicates the extent of the music affected.
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.