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The Best of B.B. King: ABC Records ABCX-767 1981 Great Moments With B.B. King (2 x LP) MCA Records MCA2-4124 1983 Why I Sing the Blues: MCA Special Products MCAD-20256 1986 Ambassador of The Blues (UK/Europe only) Crown Records GEM-001 1987 You Done Lost Your Good Thing Now: Kent Records KLP-2004 1992 King of the Blues (4-CD box set)
The Best of the Early Years is a 2007 Blues compilation album by B.B. King. This "Best of" collection was created from master recordings from King's works from the 1950s and 1960s. This "Best of" collection was created from master recordings from King's works from the 1950s and 1960s.
His Definitive Greatest Hits is a compilation album by American blues musician B.B. King. It was produced, sequenced & compiled by Richard M. Ganter and released on April 12, 1999, by Polygram Records .
Why I Sing the Blues is a 1983 album by the blues guitarist and singer B.B. King. Originally made by MCA Records as a bargain-bin greatest hits compilation, the album is a showcase of King's best work from the late 1960s and early 1970s. The album was released in CD format in 1992. [2]
Blues on the Bayou is the thirty sixth studio album by B.B. King, released in 1998. [1]In the CD liner notes, B.B. King writes: "Of the many records Lucille and I have had the pleasure of recording over the years, this one is especially close to my heart.
Indianola Mississippi Seeds is B. B. King's eighteenth studio album. It was released in October 1970 on ABC Records on LP and May 1989 on MCA Records on CD.On this album B. B. King mixed elements of blues and rock music.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King.It was recorded on November 21, 1964, at the Regal Theater in Chicago.The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone ' s 2003 edition of the 500 Greatest Albums of All Time list, [6] before dropping to number 299 in a 2020 ...
A reviewer of The New Yorker stated "All in all, it’s a bracing, gratifying reminder of why King is in the pantheon." [9] Milo Miles of NPR commented "One Kind Favor stands alone, however, in reaffirming King's unique power as a star and venerable performer. More than any other icon, King is about the music and not himself.
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