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Gibson scholar Tatiani G. Rapatzikou has commented, in Gothic Motifs in the Fiction of William Gibson, on the origin of the notion of cyberspace: Gibson's vision, generated by the monopolising appearance of the terminal image and presented in his creation of the cyberspace matrix, came to him when he saw teenagers playing in video arcades.
The works of William Gibson encompass literature, journalism, acting, recitation, and performance art. Primarily renowned as a novelist and short fiction writer in the cyberpunk milieu, Gibson invented the metaphor of cyberspace in "Burning Chrome" (1982) and emerged from obscurity in 1984 with the publication of his debut novel Neuromancer.
His father had left £100,000 in his will, and though "Willie" was the eldest son and heir, because of his nationalist leanings, he was left with only a "paltry" £800, the bulk having been passed to his younger brother, Edward Gibson (1873–1928), father of the third Baron Ashbourne.
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have read much about the history of the mid-twentieth century—or about the ways the Founders set up our freedoms to save us from the kinds of tyranny they knew could emerge in the future. High school students, college students, recent graduates, activists from all walks of life, have a sense that something overwhelming has
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William Gibson (November 13, 1914 – November 25, 2008) was an American playwright and novelist. He won the Tony Award for Best Play for The Miracle Worker in 1959, which he later adapted for a film version in 1962.