Search results
Results from the WOW.Com Content Network
A Preface to Paradise Lost is one of C. S. Lewis's most famous scholarly works. [1] The book had its genesis in Lewis's Ballard Matthews Lectures, [2] which he delivered at the University College of North Wales in 1941. [2] It discusses the epic poem Paradise Lost, by John Milton. [3]
Abecedarian: a poem in which the first letter of each line or stanza follows sequentially through the alphabet. [1] Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll.
In this poem, Whitman uses synonyms and antonyms to give structural integrity to a poem comprising two yoked stanzas, much like (but not exactly like) the way poets working within closed forms use meter and rhyme to give structural integrity to their poems. The poem has form, but the form was not imposed by previous conventions. It has open ...
'Tis the Voice of the Lobster" is a parody of "The Sluggard", a moralistic poem by Isaac Watts [1] which was well known in Carroll's day. [2] [3] "The Sluggard" depicts the unsavory lifestyle of a slothful individual as a negative example. Carroll's lobster's corresponding vice is that he is weak and cannot back up his boasts, and is ...
All compositions by John Lewis except as indicated "Body and Soul" (Frank Eyton, Johnny Green, Edward Heyman, Robert Sour) - 15:24 "I Should Care" (Sammy Cahn, Axel Stordahl, Paul Weston) - 4:50
Lacrimae rerum (Latin: [ˈlakrɪmae̯ ˈreːrũː] [1]) is the Latin phrase for "tears of things." It derives from Book I, line 462 of the Aeneid (c. 29–19 BC), by Roman poet Virgil (Publius Vergilius Maro) (70–19 BC). Some recent quotations have included rerum lacrimae sunt or sunt lacrimae rerum meaning "there are tears of (or for) things."
John Lennon (left) and Elton John. "I had a party at the house, and we had a fight, and he smacked me in the face," John continues. "He made my nose bleed, cut my face.
The poem features words from "Philomythos" (myth-lover) to "Misomythos" (myth-hater) who defends mythology and myth-making as a creative art about "fundamental things". [4] It begins by addressing C. S. Lewis as the Misomythos, who at the time was sceptical of any truth in mythology: