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Later on the Pump album, in "What It Takes", is the line, "Girl, before I met you I was F-I-N-E fine". F.I.N.E. was one of the potential titles brainstormed for the album that became Pump, but was blocked by Geffen A&R man John Kalodner. If one looks closely at the trucks on the front cover, the word FINE can be seen on their side. "F.I.N.E."
Even on a day when much of America was hoping to see the sun go out, there’s still an ongoing need to hear someone sing “Don’t Let the Sun Go Down on Me.” That, among many other things, is ...
"I'm Still Here" is an "inspirational", [22] midtempo ballad which features Sia's "powerful" vocals. [15] Lyrically, it is about perseverance and Sia's battles with the past. [13] [15] At a length of 4 minutes and 1 second, [23] the song was written by Sia and frequent collaborator Jesse Shatkin in the key of A major, [24] and produced solely by Shatkin. [25]
He's still dealing with love, he's still dealing with the death of his father. All he knows is 'I'm still alive' -- those three words, that's totally out of burden." [3] Vedder stated at Pearl Jam's 2006 VH1 Storytellers appearance that over the years the meaning has changed for him. He said, "In the original story, a teenager is being made ...
"It's the End of the World as We Know It (And I Feel Fine)" is a song by American rock band R.E.M., which first appeared on their 1987 album, Document. It was released as the album's second single in November 1987, reaching No. 69 in the US Billboard Hot 100 and later reaching No. 39 on the UK Singles Chart on its re-release in December 1991.
“Mr. Perfectly Fine” isn’t the only breakup song from Fearless believed to be about Jonas: Swift’s “Forever & Always” and another vault song, “You All Over Me,” appear to be about him.
The music video, directed by Russell Mulcahy, was shot in Cannes and Nice on the Côte d'Azur in France. It also features the colours of the flag of France in graphics. Arlene Phillips, who choreographed the routines performed on location in the video, said her work is one of the proudest moments in her entire career (via the Channel 5 pop-documentary, Britain's Favourite 80s Songs, on 25 ...
“That’s me,” I said. “I’m Clancy Martin.” “I don’t want to have to look for you next time,” the nurse said. He was a soft-featured man who looked a bit like Barney, the sympathetic psychiatric nurse from the Hannibal Lecter movies. “I’m sorry.” “I’m just teasing you,” he said. “I know it’s your first day.