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A power chord Play ⓘ, also called a fifth chord, is a colloquial name for a chord on guitar, especially on electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played with an amp with intentionally added distortion or overdrive effects.
56. "We may encounter many defeats but we must not be defeated." — Maya Angelou. 57. "I know my worth. I embrace my power. I say if I'm beautiful. I say if I'm strong. You will not determine my ...
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
A rock or pop guitarist or keyboardist might literally play the chords as indicated (e.g., the C major chord would be played by playing the notes C, E and G at the same time). In jazz , particularly for music from the 1940s bebop era or later, players typically have latitude to add in the sixth, seventh, and/or ninth of the chord.
These three chords are a simple means of covering many melodies without the use of passing notes. The order of the chord progression may be varied; popular chord progression variations using the I, IV and V chords of a scale are: I – IV – V; IV – I – V; I – IV – I – V; I – IV – V – IV
Often the chords may be selected to fit a pre-conceived melody, but just as often it is the progression itself that gives rise to the melody. Similar progressions abound in African popular music . They may be varied by the addition of sevenths (or other scale degrees ) to any chord or by substitution of the relative minor of the IV chord to ...
"I Am – Somebody" is a poem often recited by Reverend Jesse Jackson, and was used as part of PUSH-Excel, a program designed to motivate black students. [ 1 ] A similar poem was written in the early 1940s by Reverend William Holmes Borders , Sr., senior pastor at the Greater Wheat Street Baptist Church and civil rights activist in Atlanta ...
The narrator, a man approaching or in middle age and apparently sitting in a bar, is put into situations that test his masculinity. Having outlived his glory days, he insists he now is no longer "as good as [he] once was" in his younger days, but although he no longer has the stamina to do what he used to do all the time, he can still be "as good, once, as [he] ever was."