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Submissions of previously unpublished Poetry and Prose are welcomed during our seasonal submission windows, which we will announce via our social media channels. When our prose and poetry windows are open, the platform's submission cap is set at 800, which will reset when we reopen.
Submit Your Work. Submit your previously unpublished poetry, prose, performance, critical engagements, conversations, reviews, translations or other critical-creative engagements to Denver Quarterly. Learn More; Submit
How to Submit Work. You can submit your previously unpublished poetry, prose, performance, critical engagements, conversations, reviews, translations or other critical-creative experiments to Denver Quarterly through Submittable. Visit Submittable
Performance submissions should generally consist of no more than 4,000 words, but may be much shorter as the project requires. Excerpts from longer works are permissible. If you are submitting performance texts with particular formatting, we recommend saving your file as a PDF.
Denver Quarterly seeks to showcase exceptional work that has been translated into English. We look for translated work that complements the journal’s aesthetic and is in sync with our experimental legacy.
Denver Quarterly is interested in terrain-shifting work relating to theory and praxis. Critique submissions should provoke questions about our assumptions and inherited positions of literary works and beyond, with a close examination of artistic and theoretical paradigms and the ways in which we consider and approach our usual way of engaging ...
Denver Quarterly. Denver Quarterly is a printed magazine of original prose, poetry, interviews and essays that receives thousands of submissions each year from writers and scholars around the world.
Denver Quarterly seeks to showcase exceptional work that has been translated into English. We look for translated work that complements the journal’s aesthetic and is in sync with our experimental legacy.
Critique submissions should provoke questions about our assumptions and inherited positions of literary works and beyond, with a close examination of artistic and theoretical paradigms and the ways in which we consider and approach our usual way of engaging the arts and the world.
Submit your audioscapes, audiovisuals, interactive creations, multimedia prose, multimedia poetry, and artistic experiments of all types. DQ's 2022-23 Editorial Assistants for F I V E S are Jason Lipeles, Chantelle Mitchell, and Anthony Farris.