Search results
Results from the WOW.Com Content Network
Separated is a 2024 American documentary film, ... Separated on review aggregator Rotten Tomatoes holds a 95% approval rating based upon 21 reviews. [11]
Once an outsider to the system, now as influential a doc maker as the industry has, Errol Morris has dedicated his career to drawing our attention to subjects — be they individuals or issues ...
On the review aggregator website Rotten Tomatoes, 7% of 30 critics' reviews are positive, with an average rating of 4.30/10. The website's consensus reads: "A lifeless divorce drama cosplaying as a horror film, Separation is a disjointed mess that fails to escape its formulaic trappings."
Rotten Tomatoes logo. On the review aggregator website Rotten Tomatoes, a film has a rating of 100% if each professional review recorded by the website is assessed as positive rather than negative. The percentage is based on the film's reviews aggregated by the website and assessed as positive or negative, and when all aggregated reviews are ...
When it's time for family movie night, check out these best kids' movies of all time. ... 100% fresh rating on movie-review aggregation site Rotten Tomatoes. (Sadly, now it's down to a mere 99% ...
The Malevolence film series consists of American slasher-horror crime films, written, directed, and produced by Stevan Mena.The series center around various groups of people who come into contact with a serial killer named Martin Bristol, who was kidnapped as a child and raised in an abusive upbringing by a murderer named Graham Sutter.
The film received critical acclaim. It has a 93% approval rating on review aggregator website Rotten Tomatoes, based on 98 reviews, with an average of 8/10.The site's critical consensus reads, "The Killing of Two Lovers unites deft direction and an artfully assembled cast in service of a powerful story."
The site's critical consensus reads, "American Murder: The Family Next Door chillingly unravels a brutal true crime story using the near-constant connectedness of the digital era." [11] In the New York Times, Bilal Qureshi reviewed the movie positively writing, "Popplewell’s film presents the Watts story as more than a crime story. It is a ...