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The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
Rise Up Singing is a popular folk music fake book containing chords, lyrics, and sources.There are 1200 songs in the 2004 edition.. The book does not include notation of the songs' melodies (with the exception of the two sections on rounds), meaning that users must either know the tune or find a recording, to be able to learn many of the songs.
Rise Again: A Group Singing Songbook is a sequel [1] to the popular folk music fake book Rise Up Singing, containing chords, lyrics, and sources. It was compiled by Annie Patterson and Peter Blood and released in 2016 by Hal Leonard Books.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Other researchers argue that today's barbershop music is an invented tradition related to several musical features popular around 1900, including quartet singing [15] and the use of the barbershop chord, [7] [14] but effectively created during the 1940s in the ranks of the Barbershop Harmony Society whilst creating a system of singing contests ...
The music on the album is performed by "circle singing", an improvisational technique created by McFerrin in 1986. [3] In circle singing, a leader in a circle of singers directs one sub-group in the circle to sing an improvised musical part, and then the leader improvises another part for another sub-group to sing overlayed onto the first part ...
For example, a C Maj 7 chord played with the voicing "C, E, G, B" (letter names refer to individual pitches that make up the chord) is often considered to sound more "open" than a voicing where the chord is inverted so that some of the chord tones are very close in pitch (e.g. B, C, E, G).
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).