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Lê Quang Quý Trang Đài, also known by the stage name Lynda Trang Đài, born October 9, 1968 in Đà Nẵng or Hương Thủy, Thừa Thiên [a], [1] is a Vietnamese American singer. [ 2 ] [ 3 ] She moved to Hong Kong and San Diego with family in 1978 before raised in Orange County, California .
A music video is a video that integrates a song or an album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings.
Generally, she is referred to as Đoan Trang. Starting career by participating in many music shows and winning plenty of prizes when she was a student of two universities (HUFLIT and Ho Chi Minh City's Music Institute), however she only became well known when she was the runner up of The Voice of Ho Chi Minh City Broadcast Station 2001 contest.
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The title track "Em Đã Quên Một Giòng Sông", one of Lam's best-known songs, [2] [3] [4] was performed on Asia Video: Hoa & Nhạc in 1996. The song has since been was covered by Vietnamese singers, such as Dam Vinh Hung (in the album Mr. Dam and printed on the cover to be allegedly composed by songwriter Hai Trieu), Bao Yen, Quang Linh ...
Hàn River bridge (Vietnamese: Cầu Sông Hàn) is a cable-stayed swing bridge in Da Nang, Vietnam. Da Nang lies on the west side of the Hàn River and the beaches are to the east. [1] In the middle of the night, traffic is stopped from crossing the Song Han Bridge and it swings on its axis to allow shipping traffic to pass along the river.
Trịnh Công Sơn was born in Buôn Ma Thuột, Đắk Lắk Province, French Indochina, but as a child he lived in the village of Minh Huong in Hương Trà in Thừa Thiên–Huế Province. [3] He grew up in Huế , where he attended the Lycée Français and the Providence school.
The Chinh phụ ngâm ("Lament of the soldier's wife", 征婦吟) is a poem in classical Chinese written by the Vietnamese author Đặng Trần Côn (1710–1745). [1] It is also called the Chinh phụ ngâm khúc (征婦吟曲), with the additional -khúc ("tune", 曲) emphasizing that it can be performed as a musical piece not just read as a plain "lament" (ngâm, 吟).