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They released their debut album, Supe Perder [1] in 1983 with Luna Records, which spawned the hits "Supe Perder," "Para Que Quieres Volver" and "Dime Si Me Quieres." Throughout the mid-1980s to mid-1990s, the band had a number of US Billboard 200 chart hit albums such as 1986's De Guanajuato...Para America!
Statue of La Llorona on an island of Xochimilco, Mexico, 2015. La Llorona (Latin American Spanish: [la ʝoˈɾona]; ' the Crying Woman, the Weeping Woman, the Wailer ') is a vengeful ghost in Mexican folklore who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was unfaithful to her.
It was later distributed in Spain as Hay un fantasma en mi cama on 28 November 1981. [1] Curti described the film as being "passed almost unnoticed" by audiences in Italy. [5] In Spain it was a greater success where it has been seen by 278,981 spectators and grossed an equivalent to 266,886 Euro. [5] [6]
Television roles Year Title Roles Notes 2003–2005 Padres e hijos: Daniela 2016–2018 Sin senos sí hay paraíso: Daniela Barrera: Main role (season 1–2), guest (season 3); 163 episodes
Casas was born in A Coruña to a 19-year-old father (an ébéniste) and a 17-year-old mother. [6] He moved to Barcelona at the age of 4. [6] [7] After featuring as a child actor in some commercials (Cola Cao, Scalextric, Telepizza), he moved to Madrid at age 17−18 with his family, going on to combine odd jobs with acting training at the Cristina Rota acting school.
si preguntan quién canta ¡Ay, Llorona! les dices que un desertor, que viene de la campaña ¡Ay, Llorona! (viene) en busca de su amor. Me subí al pino más alto, Llorona, A ver si te divisaba, Me subí al pino más alto, Llorona, A ver si te divisaba, Como el pino era muy tierno, Llorona, Al verme llorar, lloraba. Como el pino era muy tierno ...
Rigoberto Tovar García (March 29, 1946 – March 27, 2005), better known as Rigo Tovar, was a Mexican musician, singer and actor.Famous for his cumbias, Tovar infused traditional Mexican and Latin music with modern instruments like the electric guitar and synthesizer and popular styles such as rock and cumbia.
Other well-known versions of Don Juan are Molière's play Dom Juan ou le Festin de pierre (1665), Antonio de Zamora's play No hay plazo que no se cumpla, ni deuda que no se pague, y Convidado de piedra (1722), Goldoni's play Don Giovanni Tenorio (1735), José de Espronceda's poem El estudiante de Salamanca (1840), and José Zorrilla's romantic ...