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A stele (/ ˈ s t iː l i / STEE-lee) or stela (/ ˈ s t iː l ə / STEE-lə) [note 1] is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both. These may be inscribed, carved in relief, or painted. Stelae were created for many ...
Pharsalos stele, c. 470–60, Louvre. The Severe style, or Early Classical style, [1] was the dominant idiom of Greek sculpture in the period ca. 490 to 450 BCE. It marks the breakdown of the canonical forms of archaic art and the transition to the greatly expanded vocabulary and expression of the classical moment of the late 5th century.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
The meaning of the term "mobile" as applied to sculpture has evolved since it was first suggested by Marcel Duchamp in 1931 to describe the early, mechanized creations of Alexander Calder. [5] At this point, "mobile" was synonymous with the term "kinetic art", describing sculptural works in which motion is a defining property.
The Victory Stele of Naram-Sin is a stele that dates to approximately 2254–2218 BC, in the time of the Akkadian Empire, and is now at the Louvre in Paris. The relief measures 2 meters in height (6' 7") [ 1 ] and was carved in pinkish sandstone, [ 2 ] with cuneiform writings in Akkadian and Elamite .
Kinetic art is art from any medium that contains movement perceivable by the viewer or that depends on motion for its effects. Canvas paintings that extend the viewer's perspective of the artwork and incorporate multidimensional movement are the earliest examples of kinetic art. [ 1 ]
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
The history of motion graphics is closely related to the history of computer graphics, as the new developments of computer-generated graphics led to wider use of motion design not based on optical film animation. The term motion graphics originated with digital video editing in computing, perhaps to keep pace with newer technology. Graphics for ...