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Maurice R. Bebb (1891–1986) (or M. R. Bebb as he signed his work) was a notable etcher and printmaker of the American Midwest, whose best-known subjects were birds native to Oklahoma and Minnesota, where he spent his time. Etching involves using copper plates on which an artist has etched or “bitten” his picture with acid.
Along the center, the image is divided into complementary black (right) and white (left), or, as the title suggests, day and night. The birds of the image contradict the overall partition of black and white throughout the image, as the black birds are in the white part of the image, while the white birds are in the black part, each of them ...
Images in this category are illustrations from artists who have been deceased for more than 100 years. But if the person or organization who digitized it has released it under another license, list that other license as well as this one.
Rice paper is a product constructed of paper-like materials made from different plants. These include: Thin peeled dried pith of Tetrapanax papyrifer: A sheet-like "paper" material was used extensively in late 19th century Guangdong, China as a common support medium for gouache paintings sold to Western clients of the era.
The Art of the Bird: The History of Ornithological Art Through Forty Artists. Chicago: University of Chicago Press. ISBN 978-0-226-67505-3. McGhie, Henry A (2017). Henry Dresser and Victorian Ornithology: Birds, Books and Business. Manchester: Manchester University Press. ISBN 978-1-78499-413-6. Noakes, Vivien (1986). Edward Lear, 1812–1888 ...
The Barbarians (painting) The Beakful; List of wildlife works of art by Frank Weston Benson; Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger)
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The Birds or The Two Birds (French: Les Oiseaux) is a monumental 1952–1953 ceiling painting by Georges Braque in the Salle Henri II in the Louvre, which had to be renovated at that time. He was commissioned by Georges Salles, director of the museums of France. It was unveiled in 1953.
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