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Cultist rites associated with the worship of the Greek god of wine, Dionysus (or Bacchus in Roman mythology), were characterized by maniacal dancing to the sound of loud music and crashing cymbals, in which the revelers, called Bacchantes, whirled, screamed, became drunk and incited one another to greater and greater ecstasy. The goal was to ...
The Infant Bacchus, painting (c. 1505–1510) by Giovanni Bellini. Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The Homeric Hymn 1 to Dionysus places it "far from Phoenicia, near to the Egyptian stream". [245]
The Greeks created images of their deities for many purposes. A temple would house the statue of a god or goddess, or multiple deities, and might be decorated with relief scenes depicting myths. Divine images were common on coins. Drinking cups and other vessels were painted with scenes from Greek myths.
Chloris, goddess of flowers; Cronus, god of the harvest; Cybele, Phrygian goddess of the fertile earth and wild animals; Demeter, goddess of the harvest, crops, the fertility of the earth, grains, and the seasons; Dionysus, god of wine, vegetation, pleasure, madness, and festivity. The Roman equivalent is Bacchus. [5] Dryads, tree and forest nymphs
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
Bacchus, also known as Dionysus was the Greek god of wine, inebriation, fertility and theater. [2] He is known to be joyous and kind to those who admire him, yet cruel and mischievous to those who cross him. [3] Scenes from Greek mythology were often found in the private spaces of aristocrats. Classical images were used to depict the patron’s ...
Theseus subsequently abandoned her on the island of Naxos where she was discovered by Bacchus. Bacchus and Ariadne were married and Ariadne elevated to join the gods, immortalised as the constellation Corona Borealis. Ariadne personified Venice, favoured by the gods and crowned in glory, the marriage representing the union of Venice with the sea.
Bacchus e Ampelus (Uffizi, Florence) Ampelos (Ancient Greek: Ἂμπελος, lit. "Vine") or Ampelus was a personification of the grapevine and lover of Dionysus in Greek and Bacchus in Roman mythology. He was a satyr that either turned into a constellation or the grape vine, due to Dionysus.