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Post-mortem photograph of Emperor Frederick III of Germany, 1888. Post-mortem photograph of Brazil's deposed emperor Pedro II, taken by Nadar, 1891.. The invention of the daguerreotype in 1839 made portraiture commonplace, as many of those who were unable to afford the commission of a painted portrait could afford to sit for a photography session.
Known as one of the world’s most important repositories of early medical history, [2] images of “the darker side of life” make up the collection: [4] anatomical and medical oddities, memorial and post-mortem photography, and original historic photographs depicting death, disease, disaster, crime, racism, revolution, riots, and war. [4]
First published in the UK in 1981 as A Hundred and One Uses for a Dead Cat, [1] the collection was eventually republished in 20 countries and sold over 2 million copies. [3] It spawned two sequels, 101 More Uses for a Dead Cat and Uses of a Dead Cat in History , as well as calendars featuring the cartoons and even a book in response called The ...
Mourning portrait of K. Horvath-Stansith, née Kiss, artist unknown, 1680s A Child of the Honigh Family on its Deathbed, by an unknown painter, 1675-1700. A mourning portrait or deathbed portrait is a portrait of a person who has recently died, usually shown on their deathbed, or lying in repose, displayed for mourners.
An autopsy (also referred to as post-mortem examination, obduction, necropsy, [Note 1] or autopsia cadaverum) is a surgical procedure that consists of a thorough examination of a corpse by dissection to determine the cause, mode, and manner of death; or the exam may be performed to evaluate any disease or injury that may be present for research or educational purposes.
In the late 19th century, post-mortem photography was popular and culturally accepted, though it fell out of style early the next century. This cultural shift was accompanied by a rejection of emotional bonding with stillborn babies, and infants who had died. [7]
Leandro Katz's 1997 film essay El Día Que Me Quieras (The Day You'll Love Me) is a meditation on Freddy Alborta's famous post-mortem photo of Che Guevara. Katz deconstructs and re-photographs the famous picture while drawing comparisons to the classic paintings of Mantegna's "Dead Christ" and Rembrandt's "The Anatomy Lesson". [62] [63]
The word necromancy is adapted from Late Latin necromantia: a loan word from the post-Classical Greek νεκρομαντεία (nekromanteía, or 'divination through a dead body'), a compound of Ancient Greek νεκρός (nekrós, or 'dead body') and μαντεία (manteía, or 'divination').