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The Ballad of Davy Crockett; The Ballad of Eskimo Nell; The Ballad of John and Yoko; Ballad of Sir Frankie Crisp (Let It Roll) Be Here Now (George Harrison song) Be Still (Kelly Clarkson song) Begin Again (Taylor Swift song) The Birthday Party (song) Bitter Green; Blackbird (Beatles song) Blind (SZA song) Blouse (song) The Bonny Bunch of Roses
Deep Elm Blues; Deep in the Heart of Texas; Dese Bones G'wine Rise Again; Devil Pray; The Devil's Dream; Dink's Song; Dixie (song) The Dodger Song; The Dolphins (song) Don't Let the Rain Come Down (Crooked Little Man) Donkey Riding; Dorothea (song) Down in the Valley (folk song) Drill, Ye Tarriers, Drill; Driver 8; Dry Bones (folk song) The ...
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From the late 19th century the term ballad began to be used for sentimental songs with their origins in the early ‘Tin Pan Alley’ music industry. [5] As new genres of music, including the blues, began to emerge in the early 20th century the popularity of the genre faded, but the association with sentimentality meant led to this being used as the term for a slow love song from the 1950s onward.
The focus of the material is the music Odetta performed when recording for the Tradition label — Odetta Sings Ballads and Blues (1956) and Odetta at the Gate of Horn (1957). Tradition released The Best of Odetta on LP with a slightly different track list in 1967. It was also re-released on CD on the Collectables label in 2006.
The Caller (folk song) Can't Help Thinking About Me; The Cat Sat Asleep by the Side of the Fire; Catcheside-Warrington's Tyneside Songs; Catcheside-Warrington's Tyneside Stories & Recitations; John W. Chater; Chater's Annual; Cherry Ripe (song) Child Ballads; The Cliffs of Old Tynemouth; Cob coaling; Cock a doodle doo; Cock Robin; A Collection ...
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
The following are often-sung Irish folk ballads and folk songs. The songs are arranged by theme under the categories "Politics and soldiering" and "Non-political" and are not necessarily contemporary to the events to which they relate. Songs may fit into more than one category, but where possible, are grouped uniquely to where is most appropriate.
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