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Indian-origin religions Hinduism, Jainism, Buddhism, and Sikhism, [4] are all based on the concepts of dharma and karma. Ahimsa, the philosophy of nonviolence, is an important aspect of native Indian faiths whose most well-known proponent was Shri Mahatma Gandhi, who used civil disobedience to unite India during the Indian independence movement – this philosophy further inspired Martin ...
It blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. [2] Kushan art follows the Hellenistic art of the Greco-Bactrian Kingdom as well as Indo-Greek art which had been flourishing between the 3rd century BCE and 1st century CE in Bactria and northwestern ...
The Wonder that was India' by A.L Basham, Picador India, ISBN 0-330-43909-X Bennett, Anna (2019), "Suvarnabhumi, "Land of Gold"", in Suvarnabhumi, the Golden Land , 2019, GISDA, PDF 'The Culture and Civilisation of Ancient India in Historical outline' by D.D. Kosambi , 1964 reprinted in 1997, Vikas Publications, New Delhi, ISBN 0-7069-8613-X
The painter in ancient India. National Museum. ISBN 9788123000527. OCLC 963176976. Ramayana by Valmiki illustrated with Indian miniatures from the 16th to the 19th century, Diane de Selliers Publisher, 2011, ISBN 978-2-903656-76-8; Welch, Stuart Cary (1985). India: art and culture, 1300–1900. New York: The Metropolitan Museum of Art.
They are highly influential in Indian culture, and many classical Indian poets derive the plots of their poetry and drama from the Itihasa. [4] The Epic-Puranic chronology derived from the Itihasa-Purana is an influential frame of reference in traditional Indian thought.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a ...
The Art and Architecture of the Indian Subcontinent, 2nd edn. 1994, Yale University Press Pelican History of Art, ISBN 0300062176; Harsha V. Dehejia, The Advaita of Art (Delhi: Motilal Banarsidass, 2000, ISBN 81-208-1389-8), p. 97; Kapila Vatsyayan, Classical Indian Dance in Literature and the Arts (New Delhi: Sangeet Natak Akademi, 1977), p. 8
[1] [2] It is an ancient umbrella term for numerous Hindu texts that describe arts, crafts, and their design rules, principles and standards. In the context of Hindu temple architecture and sculpture, Shilpa Shastras were manuals for sculpture and Hindu iconography , prescribing among other things, the proportions of a sculptured figure ...
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