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Ahead, we’ve rounded up 50 holy grail hyperbole examples — some are as sweet as sugar, and some will make you laugh out loud. 50 common hyperbole examples I’m so hungry, I could eat a horse.
Hyperbole (/ h aɪ ˈ p ɜːr b əl i / ⓘ; adj. hyperbolic / ˌ h aɪ p ər ˈ b ɒ l ɪ k / ⓘ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric , it is also sometimes known as auxesis (literally 'growth').
Punctuation can be used to introduce ambiguity or misunderstandings where none needed to exist. One well known example, [17] for comedic effect, is from A Midsummer Night's Dream by William Shakespeare (ignoring the punctuation provides the alternate reading).
An exaggeration (or hyperbole) occurs when the most fundamental aspects of a statement are true, but only to a certain degree. It is also seen as "stretching the truth" or making something appear more powerful, meaningful, or real than it actually is.
However, there are several exceptions. For example, the Supreme Court has held that "threats may not be punished if a reasonable person would understand them as obvious hyperbole", he writes. [42] [43] Additionally, threats of "social ostracism" and of "politically motivated boycotts" are constitutionally protected. [44]
Repetition is the essential comedic device and is often used in combination with other devices to reinforce them. The "callback" in comedy writing—in which a statement or theme is recalled as the punchline or close of a scene—is a classic example of the tension and release that are possible using repetition.
The numeral 10 is used for ten times greater in EA 19, Love and Gold, one of King Tushratta's eleven letters to the Pharaoh-(Amenhotep IV-Akhenaton). The following quote using 10, also closes out the small paragraph by the second example of the superlative, where the verb that ends the last sentence is spread across the letter in s-p-a-c-i-n-g ...
Amplification may refer to exaggeration or to stylistic vices such as figures of excess or superfluity (e.g., hyperbole). Amplification involves identifying parts of a text by means of a process of division; each part of the text may be subjected to amplification.
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