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Peter S. Beagle's The Last Unicorn [4] Frank Beddor's The Looking Glass Wars [5] [3] John Bellairs's The Face in the Frost [4] Andrei Belyanin's Sword with No Name; Hans Bemmann's The Enchanted trilogy; K. J. Bishop's The Etched City; Elizabeth H. Boyer's World of the Alfar, Wizard's War, and Skyla series; Marion Zimmer Bradley's [6] The Mists ...
Pages in category "Children's fantasy novels" The following 200 pages are in this category, out of approximately 566 total. This list may not reflect recent changes .
From 'Children of Blood and Bone' to 'A Wrinkle in Time,' here are the 20 best fantasy books to indulge your inner child.
Tales of a Fourth Grade Nothing is a children's novel written by American author Judy Blume and published in 1972. [1] It is the first in the Fudge series and was followed by Otherwise Known as Sheila the Great , Superfudge , Fudge-a-Mania , and Double Fudge (2002).
The genre has roots in folk tales such as Aesop's Fables that were not originally intended for children: before the Victorian era, fairytales were perceived as immoral and ill-suited for children's minds. [3] [4] A market for children's fantasy was established in Britain in the 19th century, [5] leading to works such as Lewis Carroll's Alice in ...
This is a list of notable books by young authors and of books written by notable writers in their early years. These books were written, or substantially completed, before the author's twentieth birthday. Alexandra Adornetto (born 18 April 1994) wrote her debut novel, The Shadow Thief, when she was 13. It was published in 2007.
The term "high fantasy" was coined by Lloyd Alexander in a 1971 essay, "High Fantasy and Heroic Romance", which was originally given at the New England Round Table of Children's Librarians in October 1969. [2] The Well at the World's End (1896) by William Morris is an early example of high fantasy fiction.
Initial recognition for the book was from children's-book critics, among whom it garnered acclaim. [10] [34] A Wizard of Earthsea received an even more positive response in the United Kingdom when it was released there in 1971, which, according to White, reflected the greater admiration of British critics for children's fantasy. [35]
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