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Western design generally, whether architectural or design of furniture, had for millennia sought to convey an idea of lineage, a connection with tradition and history. However, the modern movement sought newness, originality, technical innovation, and ultimately the message that it conveyed spoke of the present and the future, rather than of ...
Liminal space images soon gained popularity across the Internet, and by November 2022, a subreddit called r/LiminalSpace had over 500,000 members, the liminal space photo-posting @SpaceLiminalBot on Twitter had accrued over 1.2 million followers, and the TikTok #liminalspaces hashtag had over two billion views. [6]
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal , plastic , and wood .
His 1930 showroom design for a British dressmaking firm had a silver-grey background and black mirrored-glass wall panels. [37] [40] Black and white was also a very popular color scheme during the 1920s and 1930s. Black and white checkerboard tiles, floors and wallpapers were very trendy at the time. [41]
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Design for a marquetry panel by Jean-Philippe Boulle, the Oldest Son of André-Charles Boulle. Boulle left four sons: Jean-Philippe (1678–1744), [31] Pierre-Benoît (c.1683-1741), André-Charles II (1685–1749) and Charles-Joseph (1688–1754). They were handed over the contents and technology of his workshops as early as 1715. [24]
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