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Both text and tune of the hymn are retained in the outer movements, a chorale fantasia and a four-part closing chorale. [3] Bach scored the work for four vocal soloists ( soprano (S), alto (A), tenor (T) and bass (B)), a four-part choir , and a Baroque instrumental ensemble of tromba da tirarsi (Tr, a slide trumpet ), two oboes (Ob), two violin ...
The 1831 edition of The Virginia Harmony. The Virginia Harmony is a shape note tune book published in 1831 in Winchester, Virginia and compiled by Methodist lay preacher James P. Carrell (1787–1854) and Presbyterian elder David S. Clayton (1801–1854).
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. One of his most popular and highly acclaimed compositions, it is divided into two sections.
The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [3]), Encyclopedia of Guitar Chord Inversions, Mel Bay's Deluxe Guitar Scale Book, Encyclopedia of Jazz Guitar Runs, Fills, Licks & Lines, and ...
The tune, originally a Silesian folk song, and the German text were printed together for the first time in 1842 by Hoffmann von Fallersleben and Richter under the name Schönster Herr Jesu (Most beautiful Lord Jesus). [4] [5] It was arranged by Richard Storrs Willis for his collection Church Chorals and Choir Studies in 1850. [6]
Johann Sebastian Bach composed the church cantata Ich ruf zu dir, Herr Jesu Christ (I call to You, Lord Jesus Christ), [1] BWV 177. He wrote the chorale cantata in Leipzig for the fourth Sunday after Trinity and first performed it on 6 July 1732. The cantata text is formed by the unchanged five stanzas of Johann Agricola's hymn.
" Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt" (Jesus Christ, our Savior, who turned God's wrath away from us) is a Lutheran hymn in ten stanzas by Martin Luther for communion, first published in 1524 in the Erfurt Enchiridion.
Komm, Jesu, komm (Come, Jesus, come), BWV 229, is a motet by Johann Sebastian Bach, with a text by Paul Thymich. It was composed in Leipzig, and received its first performance by 1731–1732. Bach scored the motet for double choir. It was probably composed for a funeral, as were others of his motets but exact dates of composition and ...