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"To Autumn" is a poem by English Romantic poet John Keats (31 October 1795 – 23 February 1821). The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes".
"Chanson d'automne" ("Autumn Song") is a poem by Paul Verlaine (1844–1896), one of the best known in the French language. It is included in Verlaine's first collection, Poèmes saturniens, published in 1866 (see 1866 in poetry). The poem forms part of the "Paysages tristes" ("Sad landscapes") section of the collection. [1]
"To Autumn" is a 33-line poem broken into three stanzas of 11. It discusses how autumn is both a force of growth and maturation, and deals with the theme of approaching death. While the earlier 1819 odes perfected techniques and allowed for variations that appear within "To Autumn", Keats dispenses with some aspects of the previous poems (such ...
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley.His poems had been in publication for less than four years when he died of tuberculosis at the age of 25.
Autumn Journal is an autobiographical long poem in twenty-four sections by Louis MacNeice. It was written between August and December 1938, and published as a single volume by Faber and Faber in May 1939.
Reading of "Nothing Gold Can Stay" "Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [1] which earned Frost the 1924 Pulitzer Prize for Poetry.
The Seasons is a series of four poems written by the Scottish author James Thomson. The first part, Winter, was published in 1726, and the completed poem cycle appeared in 1730. [1] The poem was extremely influential, and stimulated works by Joshua Reynolds, John Christopher Smith, Joseph Haydn, Thomas Gainsborough and J. M. W. Turner. [1]
The first response to the poem came in an anonymous review in the July 1820 Monthly Review, which claimed, "Mr Keats displays no great nicety in his selection of images. According to the tenets of that school of poetry to which he belongs, he thinks that any thing or object in nature is a fit material on which the poet may work ...