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Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
Arts criticism is the process of describing, analyzing, interpreting, and judging works of art. [1] The disciplines of arts criticism can be defined by the object being considered rather than the methodology (through analysis of its philosophy): buildings (architecture criticism), paintings (visual art criticism), performances (dance criticism, theatre criticism), music (music journalism ...
While art history and art criticism overlap as disciplines, we usually tend to think of the latter as writing the first draft of the former.
Clement Greenberg (/ ˈ ɡ r iː n b ɜːr ɡ /) (January 16, 1909 – May 7, 1994), [1] occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician.
Typically the art critic views art at exhibitions, galleries, museums or artists' studios and they can be members of the International Association of Art Critics which has national sections. [3] Very rarely art critics earn their living from writing criticism. The opinions of art critics have the potential to stir debate on art-related topics.
Terry Michael Barrett (1945 - October 29, 2023 [1]) was an American art critic, and Professor Emeritus at Ohio State University.His many books, anthology chapters, and articles about contemporary art, art criticism, aesthetics, and the teaching of these, have had a significant impact on the field.
There is no official list of art critics, the compilation of which is compounded by problems in defining art criticism – not least of which is the overlap with art history, [1] and philosophy of art. Herein will be included those authors that are mentioned as being art critics or producing art criticism in works of reference, as are ...
Wolfe's thesis in The Painted Word was that by the 1970s, modern art had moved away from being a visual experience, and more often was an illustration of art critics' theories. Wolfe criticized avant-garde art, Andy Warhol, Willem de Kooning, and Jackson Pollock. The main target of Wolfe's book, however, was not so much the artists, as the critics.