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Radio Guarachita, hosted by Radhamés Aracena in 1966, was the only radio station at the time that played and centered bachata music. [11] Aracena broadcast popular bachata songs produced in the 60s and worked with bachateros to produce music. [11]
The other two bachata songs in this album were "Navidad" and "Una Espina Saca Otra" with Dominican singer Alex Bueno. This was his second collaboration in his career and the first collaboration with a bachata artist as at the time collaborations in bachata were rare. In 2007, he released his fourth live album Tour 2007.
Unlike traditional bachata artists, Aventura uses American genres like R&B, Pop, Hip Hop, Rap, Reggae and Rock mixed with their Bachata songs. Anthony innovated bachata with fresh lyrics that incorporated songs with different themes, instead of just singing about heartbreak. [10] Lenny innovated bachata guitar with his use of electric guitars ...
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Bachata #1's is a compilation album released by Machete Music on July 3, 2007. The album features several artists from the bachata genre, such as Xtreme , Aventura , Monchy & Alexandra , Alex Bueno , Frank Reyes , and Los Toros Band with production being handled by Anthony Santos , Lenny Santos , Sergio George and Franklin Romero among others.
It became the twentieth best-selling Tropical Album of 2010. Several songs included on the album were released as singles from their respective parent albums including the opening "El Perdedor" by Aventura, "No Me Doy Por Vencido" by Luis Fonsi, and "Dime" by Ivy Queen. The fourth volume in the Bachata #1's series was released in 2011.
The Bachata #1's series is a collection of compilations of various artists centered on the genre of bachata. [1] [2] The first chapter in the series was released in 2007. A third volume, Bachata #1's, Vol. 3 was released in 2010 in the United States. [3] Bachata #1's, Vol. 2 was released on August 12, 2008.
Traditional bachata bands played son, merengue, and waltz in addition to bolero based songs. Over time, the influence of merengue began to be felt more in the style of bolero based bachata. The introduction of the güira, a merengue instrument, and merengue adapted guitar riffs and rhythmic sections marked the evolution of modern bachata. [1]