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Legend" (Russian: Легенда, Legenda), Op. 54, No. 5 (also known as "The Crown of Roses" in some English-language sources) [1] is a composition by Pyotr Ilyich Tchaikovsky. Originally written in 1883 as a song for solo voice and piano, it was subsequently arranged by Tchaikovsky for solo voice and orchestra (1884), and then for ...
Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer [1]), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. [2] It is loosely adapted from Louvet de Couvrai 's novel Les amours du chevalier de Faublas and Molière 's comedy Monsieur de Pourceaugnac . [ 3 ]
Op. 3 Love and Time and The Rose and the Gardener, for male chorus (1897) (as Edgar Thorn) Op. 5 The Witch, for male chorus (1898) (as Edgar Thorn) Op. 6 War Song, for male chorus (1898) (as Edgar Thorn) Op. 9 Two Old Songs, for voice and piano (1894) I. Deserted - II. Slumber Song; Op. 11 and 12 An Album of Five Songs, for voice and piano ...
The Choir of the French Army at the Lons-le-Saunier Theater.. A men's chorus or male voice choir (MVC) (German: Männerchor), is a choir consisting of men who sing with either a tenor or bass voice, and whose music is typically arranged into high and low tenors (1st and 2nd tenor), and high and low basses (1st and 2nd bass; or baritone and bass)—and shortened to the letters TTBB.
The symbol of the rose in "To the Rose upon the Rood of Time" is firstly one that is constant, binding past and present through its spiritual and romantic referents. Stephen Coote notes that the rose on the rood was a symbol worn around the neck of those belonging to the Hermetic Order of the Golden Dawn: the "female" rose is impaled upon the "male" cross.
The name of the flower likely comes from an Old English poem by John Gay about a woman by that name. It probably came over during Colonial times, when the settlers sewed the wildflower on the ...
Learn about 11 most popular rose color meanings and what the colors symbolize before you send a bouquet, from bright red to maroon, pink, white, and yellow.
1. for female chorus a cappella 2. for mixed chorus a cappella: 1. words by Helen Waddell 2. words by Emily Dickinson: Choral: 1937: Heaven-Haven: choral adaptation of A Nun Takes the Veil from Op. 13; words by Gerard Manley Hopkins: Choral: 1938: Agnus Dei (Lamb of God) for chorus and organ or piano ad libitum: vocal adaptation of Adagio for ...