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The title is a reference to Vera Lynn, a British singer who came to prominence during World War II with her popular song "We'll Meet Again". The song's intro features a collage of superimposed audio excerpts from the 1969 film Battle of Britain .
"Comfortably Numb" is a song by the English rock band Pink Floyd, released on their eleventh studio album, The Wall (1979). It was released as a single in 1980, with " Hey You " as the B-side . The music was composed by the band's guitarist, David Gilmour ; the lyrics were written by the bassist, Roger Waters , who recalled his experience of ...
Comfortably Numb: The Inside Story of Pink Floyd. Da Capo Press. ISBN 978-0-306-81752-6. Blake, Mark (2011) [2007]. Pigs Might Fly : The Inside Story of Pink Floyd. Arum Press. ISBN 978-1-781-31519-4. Archived from the original on 21 May 2021; Fitch, Vernon (2005). The Pink Floyd Encyclopedia (Third ed.). Collector's Guide Publishing.
Ice-T has put a fresh twist on a Pink Floyd classic.. On Friday, Sept. 20, the rapper and his heavy metal band Body Count teamed up with David Gilmour to release a new version of the rock group's ...
Pink Floyd would again use this technique on the bass line for "Sheep". This riff was first created by David Gilmour on guitar with effects, then Roger Waters had the idea of using bass instead of guitar, so they recorded the song on two different bass guitars. The piece is in B minor, occasionally alternating with an A major chord.
This progression is a recurring Pink Floyd theme, appearing throughout the album in "Hey You", "Vera", and others, as well as several songs on Waters and company's follow-up concept album on the losses of war, The Final Cut. Waters and choir exhort, "Bring the boys back home / Don't leave the children on their own".
Stereogum opined that the instrumental "stands out primarily as a song that sounds as much like Pink Floyd as anything on their mid-'70s releases. The song roots itself to Gilmour's familiar lonesome melodic guitar descants threading themselves through the trademark mood setting and foundation of Mason's drum work and the invaluable Wright's keyboard deviations."
The song is split into distinct segments: a groupie (Trudy Young) performs a monologue ("Oh my God, what a fabulous room!") while a television plays, under which a synthesizer makes atonal sounds, which eventually resolve into a quiet song in C major in 3/4 time ("Day after day / Love turns grey / Like the skin of a dying man."
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