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The Seikilos epitaph is an Ancient Greek inscription that preserves the oldest surviving complete musical composition, including musical notation. [1] Commonly dated between the 1st and 2nd century AD, the inscription was found engraved on a pillar from the ancient Greek town of Tralles (modern Aydın in present-day Turkey) in 1883.
Epigraphy (from Ancient Greek ἐπιγραφή (epigraphḗ) ' inscription ') is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers.
In literature, an epigraph is a phrase, quotation, or poem that is set at the beginning of a document, monograph or section or chapter thereof. [1] The epigraph may serve as a preface to the work; as a summary; as a counter-example; or as a link from the work to a wider literary canon, [ 2 ] with the purpose of either inviting comparison or ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Wordsworth added an epigraph just before publication, "paulò majora canamus". The Latin phrase is from Virgil's Eclogue 4, meaning "let us sing a somewhat loftier song". [ 12 ] The poem was reprinted under its full title "Ode: Intimation of Immortality from Recollections of Early Childhood" for Wordsworth's collection Poems (1815).
The Second Hymn is composed in a different key from the First Hymn. The central note (mese) of the first section is D (in conventional notation), rather than C, making it the (Greek) Lydian mode. [20] Below the mese are the notes A and B ♭, and above it are E, E ♭, F, and G. The notes used in the second section are different from the first ...
Six épigraphes antiques, L. 131, CD. 139, is a suite of six pieces by Claude Debussy, originally written for piano duo.Completed in July 1914, the suite was Debussy's only completed composition that year.
Each volume focused on a certain genre of orchestral or choral music (for example, Volumes I and II were devoted to Symphonies; Volume III to Concertos), with many of the works discussed with the help of music examples. In 1944, a posthumous seventh volume appeared on chamber music. In 1989, a new version was published with some essays omitted ...